當一個家庭照片失去女性的存在時,這個性別與空間之間的關係產生強烈的變化。她原本置身的空間突然間變得模糊又清晰,依循著隱匿的痕跡,可以覷見曾經作為時間載體的照片,是那麼的脆弱且深刻。   In this series, I use lots of my old family photos of female and crop the female members out from the photos. I try to digging into the space where we grow up in our lifetime, and observing the relationship between female and absence within a eastern and western cultural frame. Through marriage to birth, we can see how female change silently through the joint of spaces.

當一個家庭照片失去女性的存在時,這個性別與空間之間的關係產生強烈的變化。她原本置身的空間突然間變得模糊又清晰,依循著隱匿的痕跡,可以覷見曾經作為時間載體的照片,是那麼的脆弱且深刻。

In this series, I use lots of my old family photos of female and crop the female members out from the photos. I try to digging into the space where we grow up in our lifetime, and observing the relationship between female and absence within a eastern and western cultural frame. Through marriage to birth, we can see how female change silently through the joint of spaces.

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 當一個家庭照片失去女性的存在時,這個性別與空間之間的關係產生強烈的變化。她原本置身的空間突然間變得模糊又清晰,依循著隱匿的痕跡,可以覷見曾經作為時間載體的照片,是那麼的脆弱且深刻。   In this series, I use lots of my old family photos of female and crop the female members out from the photos. I try to digging into the space where we grow up in our lifetime, and observing the relationship between female and absence within a eastern and western cultural frame. Through marriage to birth, we can see how female change silently through the joint of spaces.
a.jpg
l.jpg
i.jpg
k.jpg
j.jpg
c.jpg
g.jpg
f.jpg
m.jpg
n.jpg
o.jpg
p.jpg
C.jpg
B.jpg
A.jpg

當一個家庭照片失去女性的存在時,這個性別與空間之間的關係產生強烈的變化。她原本置身的空間突然間變得模糊又清晰,依循著隱匿的痕跡,可以覷見曾經作為時間載體的照片,是那麼的脆弱且深刻。

In this series, I use lots of my old family photos of female and crop the female members out from the photos. I try to digging into the space where we grow up in our lifetime, and observing the relationship between female and absence within a eastern and western cultural frame. Through marriage to birth, we can see how female change silently through the joint of spaces.

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